projects

Dismantling (itself) the time

clarinet and technology

Dismantling (itlsef) the time is a cohesive recital conformed by acoustic and electroacoustic pieces for clarinet solo. Centered on the new Spanish musical contemporary scene, the project becomes a sort of representative showcase of different creative proposals.

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Toranj

young iranian electronic music

Toranj is a recital of acousmatic pieces by young Iranian men and women composers. The concert gives insight into the excellent moment and splendid panorama of the electronic music in Iran, a consolidated country with an enormous creative power and sonic imagination.

 

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callingHiggs

 

flasmob for cell phones

callingHiggs is an acousmatic piece for cell phones and 8-channel tape in which the audience participates actively by using the mp3 player in their smartphones or tablets.

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DK protos

music and architecture

DK <protos> is a series of three pieces composed by Ángel Arranz between the years 2006 and 2009 and revised by the composer in several occasions between 2010 and 2013. The singularity of this series is that the three pieces are inspired by the building Bodegas Protos.

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Institute of Sonology

historical and recent electronic music

The Instituut voor Sonologie Den Haag is one of the lead institutions in Europe in the field of electroacustic music creation, electronic music and computer-assisted composition The DK <projection> has prepared a program with music by some of its most representative figures.

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Toposonia

Sound intervention

Topos [place] Sonos [sound]: Toposonia is a 45 minutes sound intervention designed to celebrate 1000 years of the Foundation of Peñafiel City.

Around 200 musicians  spread through several places of Peñafiel create a joint sound choreography that plays with the spaces from an acoustic, organic point of view. 

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sonic architectures

electronic music and visuals

sonic architectures is an multidisciplinary spectacle conformed by a variable number of live electronic music pieces and acousmatic pieces with video projections. The show tries to explore, by means of video and sound, the architectural models in which the pieces are inspired by.

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DK qumran

music and architecture

DK <qumran> is an interdisciplinary audiovisual series of works that combines live visuals, architecture and music. The show consists in real-time generated visuals and electronic music [live and fixed media]. Music is reproduced through a set of speakers surrounding the audience in order to recreate the spatial feeling of the real spaces.

 

Both video and music are based on the architecture of Bodegas Qumrán [ES]. The winery is located in the prestigious Golden Mile of Ribera del Duero, positioned on a small hill with gentle and sunny slopes called ‘El Cerro de las Bodegas’, surrounded by a vineyard of 4,5 Ha. The building, a work by the Spanish architecture studio Konkrit Blu, is an impressive concrete construction, which successfully combines futuristic design and the tranquil, timeless beauty of Castilian wine landscapes.

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[d]espacio

music | video art | architecture | wine

[d]espacio is an multi [inter] disciplinary spectacle conformed by four fixed media pieces and video projections composed between 2009 and 2012. The avant-garde buildings of four Spanish wineries closely inspire the four pieces; these wineries have been designed by four renowned contemporary architects: Electronic Study, based on Bodegas Protos designed by Sir Richard Rogers; Extrusion, based on Bodegas Marqués de Riscal by Frank Gehry; S A H, based on Bodegas Ysios by Santiago Calatrava and De la luz y del espacio, based on Bodegas Qumrán by Hernández/Solís [Konkrit Blu Arquitectura – Barcelona].

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Tallereando

multidisciplinary exhibition

TALLEREANDO is an installation integrated by a photography exhibition and an audiovisual set. It unites photography, video creations and sound art. TALLEREANDO proposes a discourse through sound in its sensorial relationship with image within a double perspective static/dynamic. Images are integrated in the space around, which is not merely observed as an exhibition spaces, but rather as the conjuncture of several enfolding plans. Such a plans invite to the spectator/listener to establish an intimate relationship integrated within their physical exploration.

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