(Spanish only) ARRANZ, Ángel: "Otro Punto de Vista Analítico sobre el acorde de Tristán, vía Estudio nº 10 para piano de Claude Debussy" (online). Madrid: Sul Ponticello, II época, n. 21, abr. 2011. Disponible en World Wide Web. ISSN: 1697-6886 Como reciente colaborador en la revista on-line
DK <qumran> is an interdisciplinary audiovisual series of three works created by Ángel Arranz, which combines live visuals, architecture and music. The show consists in a projection of real-time generated visuals and a recital of electronic music -live and fixed media-. The music is played
DEAN, Roger. 2009. The Oxford Handbook of Computer Music. Oxford Handbooks in Music. Oxford University Press, USA. ISBN: 0195331613. For those who wanted to learn deeply via a syncretic reference that amalgamate the very different tendencies on electronic and computer music, congratulations. Since 2009 Oxford University
Lex van den Broek from the Technical Department of the Institute of Sonology - Royal Conservatory in The Hague has specifically created a new device in order to assist some requirements of the composer Ángel Arranz. The device consists in a re-shaping and re-functionality of
(Spanish only) SUPPER, Martin. 2004. Música Electrónica y Música con Ordenador. Historia, estética, métodos, sistemas. Alianza Música (Alianza Editorial), Madrid. ISBN: 84-206-8169-5. Esta vez me lanzo al blog haciendo uso del castellano para recomendar a la comunidad hispano-hablante un libro, aunque no podemos considerar de reciente edición
EspacioVías organizes the workshop Soundpainting by Beatriz Franco Mielgo during the 8th and 9th April. EspacioVías, León (ES) Soundpainting is a language of signs created at the 80's by the Newyorker musician Walter Thompson in order to compose pluridisciplinar performances real-time, given that it is oriented to musicians,
